Neil Peart -- The Latest News

Sunday, January 29, 2006

1/20/06 update from Neil on NeilPeart.net

Neil has written an update on his website, giving information about new Rush music and his latest book.

http://neilpeart.net/news/index.html

Highlights

New Rush album: "It's increasingly difficult to work out a timetable that allows us to accomplish everything we want to do as a band, plus everything we want to do in our individual lives. But we've always managed to find a way, and surely will again. However we resolve that this time, the actual work is sure to take most of 2006 to accomplish, so although it's encouraging to know that some new Rush music is in the works, no one should hold their breath waiting to hear it.

New Rush tour: "Friends and strangers have informed me they have heard there are plans for a Rush tour this year, but I can only say, 'It's news to me.' In reality, any tour dates in 2006 are unlikely -- maybe next year."

New book: "As for the Roadshow story, it looks like the book will have a September publication now, which means I will have to knuckle down and get it finished by the end of February."

Full text:

THE NEWS
A new year beginning, and, I'm glad to report, plenty of new things to -- well, plenty of new things to be glad to report!


First, on the Rush front, just this past week Alex and Geddy and I have started work on some new songs. Although we are 3000 miles apart, the two of them at home in Toronto and me in California, last week I received an e-mail from Geddy saying that he and Alex had spent the day in his home studio, and not only did they have fun, but they also thought they'd written something good.

A couple of weeks ago I had written to both of them that I had spent some time at my Quebec place in November, and decided to see if I had any lyrical "muscles" built up. With the first snows of winter whipping around outside, the lake beginning to freeze over during the cold, still nights, I spent five days sitting on the floor in front of the fireplace. A pile of papers grew in an ever-widening circle around me, and in the end -- after much forehead-wrinkling and gnashing of teeth -- I felt that I had about six half-decent ideas under construction. I wasn't that confident they were any good, mind you, but I never am until the other guys respond to them. And anyway, those words won't come alive until after the "little miracle" of hearing them sung for the first time.

So when Geddy told me that he and Alex were starting to work on some music, he also asked if I could send them some words to work with. I took a deep breath and sent off my "babies," and now I'm waiting (somewhat anxiously) to hear their responses.

Speaking of "babies," at the end of last year we sent our R30 DVD out into the world, and Hudson Music also released my Anatomy of a Drum Solo. It's too early to tell yet, but so far they seem to be surviving pretty well in the cold, cruel world. You always hope so, but you never know. My friends seem to enjoy them, anyway, and that's important.

I am planning to travel up to Canada later this month, to spend some time in Quebec working on the final revision of Roadshow: Landscape With Drums, A Concert Tour by Motorcycle (at the urging of my editor, Paul McCarthy, I am once again using both subtitles) and getting in some cross-country skiing and showshoeing during the brightest (some would say darkest) and snowiest days of winter.

Alex and Geddy and I plan to get together soon in person and make some serious plans for writing and recording this year. Hopefully we'll also get together soon with guitars and drums. It's increasingly difficult to work out a timetable that allows us to accomplish everything we want to do as a band, plus everything we want to do in our individual lives. But we've always managed to find a way, and surely will again. However we resolve that this time, the actual work is sure to take most of 2006 to accomplish, so although it's encouraging to know that some new Rush music is in the works, no one should hold their breath waiting to hear it.

Friends and strangers have informed me they have heard there are plans for a Rush tour this year, but I can only say, "It's news to me." In reality, any tour dates in 2006 are unlikely -- maybe next year.

As for the Roadshow story, it looks like the book will have a September publication now, which means I will have to knuckle down and get it finished by the end of February. When I first began writing the book, this time last year, I spent February and part of March in Quebec, rising early to work on the book all morning, then closing up the computer at noon and heading for the snowy woods on cross-country skis or snowshoes. Home in the early winter twilight for a shower and maybe an hour's nap, then a glass of The Macallan by the fire while I read over and correct the morning's work. That schedule proved to be both productive and enjoyable, so I will hope to do the same this year -- if the weather co-operates.

Speaking of which...

WEATHER
That's easy -- in Southern California this time of year, it's mostly sunny and warm, with occasional torrential rains, and sometimes high winds, especially at night. Because I grew up in the east, where that combination is rare -- winds usually fall at night, unless there's a big storm -- high winds at night still make me feel uneasy. Particularly those "devil winds," the Santa Anas.


When I get to Quebec in late January, I hope for 3 or 4 feet of snow on the ground, with more falling every few days to "refresh" the ski trails and the scenery, and a temperature between minus 5 degrees and minus 10 degrees Centigrade. Perfect cross-country skiing conditions, and nice to look at out the kitchen window while I'm working.

And speaking of...

SPORTS
It occurred to me that my previous breezy comments about spectator sports might seem to express a kind of
"snobbishness" about the subject. I would explain that the opposite is true. As I was telling my father-in-law over the holidays, when he insisted on watching a basketball game on Christmas Day, I am certainly not immune to the vicarious excitement of team sports.


There have been times when Alex and Geddy and I have been in the studio, for example, and I've gotten totally caught up in the hockey playoffs. During breaks in the recording, or while waiting to hear a mix, we would sit in front of the television, all anxious about something over which we had absolutely no control -- and I would get all tense about the outcome.

And then after all that tension, there was no release -- no reward. Inevitably, we were either disappointed by other people's failure to win the game, or briefly elated by their victory. Even after a whole season of watching something that either tortures you with someone else's failure, or even excites you with their transitory victory, you are left with... precisely nothing.

A few days ago I was hiking in the Santa Monica Mountains with South Park's Matt Stone, and he was telling me that for him, growing up in the Denver area, everything had been centered on football. If the Broncos won on Sunday, his world would be a better place on Monday.

Matt and I were also talking about books, and he mentioned that he hadn't been doing much reading lately. He held his hands out, thumbs extended, and mimed playing on his X-Box. And yes, I have shared that time-eating fascination too, in earlier generations of video games, and for me, I eventually decided that like team sports and other addictive activities, it was better avoided. Perhaps I've reached an age where anything that keeps me up all night probably isn't good.

But there are so many other ways to spend my time.

Like this.

As my dad used to say, "That's my story, and I'm sticking to it."

Labels:

posted by AndyO @ 3:12 PM   0 comments

Tuesday, January 24, 2006

Neil Peart interviewed in the LA Times

As part of a story on drum solos, Neil is interviewed by Dan Neil of the LA times. From this reader's perspective, I have to say this is a really disjointed article. Feel free to leave comments about what you think.
---------------------------------------

The Big Bang

By Dan Neil

Copyright LA Times
http://www.latimes.com/features/printedition/magazine/la-tm-neil04jan22,0,3090885.story?coll=la-home-magazine

Once upon a time, giants thundered across the land: Moon, Bonham, Baker, Palmer. These sweaty and indifferently groomed young men gave the world that curious and hard-to-love artifact of rock, the drum solo.Won't somebody please hold up a flaming lighter?

For a couple of decades--from, say, 1967, the release of the first Vanilla Fudge album with Carmine Appice on skins, to the break-up of the Police, when drummer Stewart Copeland and Sting could at last no longer stand the sight of each other--the drum solo was a reliable part of arena rock's audio furniture.

And I was there. Nazareth. Black Sabbath. Pink Floyd. Yes. Emerson Lake and Palmer. Blue Oyster Cult. Aerosmith. Queen. The Who. Jethro Tull. I'm one of those few survivors who saw Led Zeppelin in concert--how quaint that sounds now--and heard John Bonham play the furious and fundamental "Moby Dick," with its phase-shifted tympani, tom-toms played barehanded like Indian tabla, machine-gun triplets and cymbals hissing like lava pouring into the sea.

It's been 25 years since Bonham's tragically clichéd drummer's death--choking on his own vomit during an alcoholic blackout--and while he is sorely missed, the same can't be said of the drum solo per se. Somewhere along the way, the drum solo became a rock-and-roll punch line of the "More cowbell!" variety. Among the top concert draws of 2005, the Rolling Stones didn't break stride to give Charlie Watts--an exceptional jazz drummer when not propping up Mick and the lads--a 20-minute showcase; neither did U2 step aside for an intimate moment with drummer Larry Mullen Jr., because if they did, well, just think of the crush at the snack bar.

The passing of rock drum solos was so unlamented that I might have missed it but for a new DVD by Neil Peart called "Anatomy of a Drum Solo." Peart is the drummer/percussionist for the arena rock institution Rush and is widely considered the greatest living rock drummer. By my calculation, Peart is also the most prolific drum soloist ever. In its astounding 31-year history with its original lineup, Rush has spent more time on the road than the Roman army, and there was always, always a drum solo in the show. At least there was the five times I saw them.

So I called Neil Peart to ask: What happened to the drum solo?

"Rock drummers killed the solo themselves," Peart tells me when we meet at a coffee shop in Santa Monica. "It got to be so predictable and manipulative. They cheapened it by making it a clap-along or a boring ramble."

Oh yeah. Few things in music are so grating as a long, thrashing drum solo by some sweaty dude working his way around the trap kit (Tommy Lee, are you listening?). The trouble is, it was always so. One of the sacred texts of solo drumming is Ron Bushy's notoriously flatulent 2 1/2-minute tumble on Iron Butterfly's 1968 monster hit "In-A-Gadda-Da-Vida."

"Even as a kid I hated that song," says Peart. "It was the anti-drum solo. There was no technique, no musicality, no dynamics at all."

If you owned this album, that's not incense you're smelling, it's shame.

Peart's larger point is that the rock drum solo, which emerged out of an honorable tradition of showmanship set by big band players such as Gene Krupa and Buddy Rich, rapidly descended into musical cynicism. Partly at fault was the economics of the arena itself. When rock bands started selling out 10,000-seat coliseums in one town after another, any sense of intimacy--or rock's rebellion--was swallowed by the vacancy of the venue itself. The drum solo became part of a repertoire of arena-rock tricks to pull huge and disconnected audiences into the show.

"Asking the audience to clap along can be part of a really sincere desire to include the audience in the music or the performance," says Peart, "or it can be just like pressing a button. It can be a beautiful thing or an ugly thing."

So what started out as a virtuoso exploration of an instrument's solo potential became, almost immediately, rock's 7th-inning stretch.

The other big problem with drum solos? The audience. It became clear to me after watching Peart's explanatory DVD that civilians—which is to say non-drummers--don't really understand what they're hearing. In one section of Peart's "Der Trommler" solo, he keeps waltz time, 3/4 rhythm (PA-tah-tah, PA-tah-tah) with his feet, while playing lightning-fast 6/8 and 7/8 drum fills across his other drums. In terms of physical coordination, this is something like playing badminton with two rackets while typing with your feet. But if you hadn't been enlightened, you might think it just sounds like billiard balls in a dryer.

Peart amiably disagrees, wincing at the suggestion that the audience somehow just doesn't get it. "Drumming shouldn't be something you need an education to appreciate." After all, he says, "You can't blame the audience for everything."
posted by AndyO @ 9:47 PM   0 comments

Monday, January 23, 2006

New articles on NeilPeart.net

posted by AndyO @ 10:16 PM   0 comments

Neil Peart to appear in Aqua Teen Hunger Force: The Movie

As reported on Power Windows, Neil Peart will be making an appearance in Aqua Teen Hunger Force: The Movie. Click links below for more details.

http://www.2112.net/powerwindows/News.htm

http://www.wizarduniverse.com/magazines/toyfare/TF20051109-athf.cfm
posted by AndyO @ 10:02 PM   0 comments

Thursday, January 12, 2006

Related: Alex Lifeson discusses the sound of R30

Related news: Alex Lifeson discusses the mixing and sound of R30 in an interview with Sound & Vision online. An interesting read.

http://www.soundandvisionmag.com/article.asp?section_id=4&article_id=1133
posted by AndyO @ 9:06 AM   0 comments

Wednesday, January 11, 2006

Rush album and video sales information updated

I updated the Rush sales information. Note that this does not include any information for R30 sales yet.

http://www.andrewolson.com/Neil_Peart/neil_peart_rush_album_sales.htm
posted by AndyO @ 10:39 PM   0 comments

R30 DVD certified triple platinum

In the following story about Neil Peart's new instructional DVD, "Anatomy of a Drum Solo," they mention the R30 DVD has been certified triple platinum. (I couldn't confirm this information on the official RIAA site.)

http://fmqb.com/Article.asp?id=163247

From the RIAA site, platinum for the "Video Longform" = 100,000. Thus, R30 has sold 300,000 copies.

According to the RIAA site, to date, "Rush in Rio" has sold over 400,000 copies.

Thanks to Monica Z for this link.


posted by AndyO @ 10:21 PM   0 comments

New Neil Peart DW wallpaper

DW has new Neil Peart wallpaper available on their site. The actual picture was taken by Andrew MacNaughtan and used in DW promotional material (magazines, etc).

Thanks to Monica Z. for the link:

http://www.dwdrums.com/artists/pics/peart_wallpaper_1024.jpg
http://www.dwdrums.com/artists/pics/peart_wallpaper_800.jpg
posted by AndyO @ 10:55 AM   0 comments

Tuesday, January 10, 2006

2 new photos posted

I published two new photos to the website tonight.

Check them out on the 80's and 90's photo gallery page: http://andrewolson.com/Neil_Peart/19901980_photos.htm

The first picture is a reverse shot of Neil playing on a lake. I'd never seen this picture until recently.

The second picture is from the Permanent Waves tour book--and one of the coolest shots of Neil from behind, with the crowd out in front.
posted by AndyO @ 12:41 AM   0 comments

Tuesday, January 03, 2006

Update: "Exit... Stage Left" DVD coming 3/7/2006 (tentative)

According to Power Windows, the tentative release date for the "Exit... Stage Left" DVD is now 3/7/06.

The previous tentative date was 2/7/05.

Related link: Billboard.com interview with Alex Lifeson about the new DVDs.
posted by AndyO @ 10:41 PM   0 comments